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◎名 称: 罗马武装 Roma a mano armata
◎豆瓣评分: 分 (共0人参与评分)
◎导 演: 翁贝托·伦齐
◎编 剧: 翁贝托·伦齐 / 达尔达诺·萨凯蒂
◎产 地: 意大利
◎主 演: 毛里齐奥·梅里 / 阿瑟·肯尼迪 / 詹皮罗·阿尔贝蒂尼 / 艾凡·拉斯莫夫 / Biagio Pelligra / Aldo Barberito / 斯蒂法诺·帕特里兹 / 卢西亚诺·皮格齐 / 卢西亚诺·卡蒂纳齐 / Carlo Alighiero / 卡罗·加第 / Claudio Nicastro / 瓦伦蒂诺·马奇 / Alessandra Cardini / Gabriella Lepori / 但丁·克莱里 / Tom Felleghy / 菲利波·德·加拉 / 玛丽亚·罗莎·阿玛吉 / 托马斯·米连 / 奥尔索·马利亚·奎利尼 / Guia Lauri Filzi / 朱塞佩·马罗科 / 格夫雷多·恩格尔 / 扎伊拉·佐克杜
◎年 代: 1976
◎片 长: 95 分钟
◎又 名: 致命武器 / 罗马武装到牙齿 / 浴血摩天楼 / Rome Armed to the Teeth / The Tough Ones
◎语 言: 意大利语
◎类 型: 剧情 / 动作 / 惊悚 / 犯罪
===== ◎简 介 =====
Maurizio Merli and Tomas Milian star in probably the most typical, yet completely enjoyable Italian crime movie by Umberto Lenzi. With a blazing soundtrack by Franco Micalizzi and some exciting camerawork by Federico Zanni, this film is fast-paced and furious although the narrative makes relatively little sense. This reminds me of THE RAIDERS OF ATLANTIS, a film Dardano Sacchetti also penned, which was completely fun and enjoyable although it didn't make any sense whatsoever.
The best scenes in this movie have to be the extended car chases. Milian hijacks an ambulence and kills all the people on board for no reason. When it crashes in a crowded flea market, Milian jumps out of the ambulence and just starts randomly firing his sub-machine gun into the crowd to create enough confusion to get away. Another great scene has a gang of upper-class teenagers led by the baby-faced Stefano Patrizi who get bored of nightclubbing and proceed to rape a girl and beat up her boyfriend in a vacant lot. Patrizi is wholely unsympathetic as he punches the boyfriend in the gut repeatedly and knees him in the face, then making weird gestures with a nearby piece of wood. Merli later pops by their nightclub and smashes Patrizi's face right through a pinball machine and then simultaneously beats the tar out of the six or so members of the gang!
This film comes fast and furious. Good performances all around by a veteran cast (with Arthur Kennedy, Ivan Rassimov, and Luciano Pigozzi along for the ride). It's not the most coherent of Lenzi's works, but it's definitely a genre classic.
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